Farha - Bellydance Student Resources Blog

Professional Belly dancer in Manhattan, NYC

Shortening a Skirt with a Big Hem

4/18/2017

If you have a circle skirt, or other very full skirt, you probably, understandably, want to avoid hemming it. There is a lot of fabric there, and it will clearly take a long time to do. The sheer yardage of it will also provide plenty of opportunity to lose pins, or wibble and wooble and end up with an uneven hem. You might even have beading at the bottom, or some other beautiful trim, ruffle, or design that you don't want to interfere with.

trouble is, you also don't want to trip over your skirt, or wind up with a filthy hem after just a few performances. This tutorial will give you a way to take up the length on any skirt that gets worn under a belt or hip scarf. Sortta a tummy tuck for skirts! This technique is also great for circle skirts that have warped over time, to take up places where the hem has stretched longer over time.

Why Learn (about) Different Styles

4/1/2017

It can seem like an overly intellectualizing exercise to differentiate between many different styles of bellydance, and there are a lot of contentious discussions about what makes a style of dance and when something ceases to be bellydance anymore. While it is understandable why one would want to avoid that kind of conversation there are many reasons for learning about the different styles of bellydance. Selfish reasons, practical reasons, and socially conscientious reasons.

First, let's differentiate between bellydance and Middle Eastern dance. Many styles of bellydance, but not all, are Middle Eastern dance, and a fair few styles of Middle Eastern dance are bellydance, but far from the majority. Nadira has a wonderful diagram that makes more sense of in a smaller space than my rambling about it will. It's also worth noting that in order to talk about one style or another, you HAVE to talk about the time period you're referring to. Differentiating between Turkish and Egyptian style, at least as enjoyed by the upper classes, would be useless if you're looking during the Ottoman empire when fashionable entertainment was Turkish. But during the 1960's, for example, the two countries had very different styles.

Also, remember that there is no value judgement in differentiating styles. I advocate doing it so we can appreciate each style's unique contributions and beauty, not in order to berate anyone into a mold.

It's a good idea to learn to do more than one style, but there's a lot of them! At the very least we should all learn about all the different manifestations of bellydance. Now, down to the reasons why it's worth it!

Assembling Your Gig Bag

12/12/2016

As bellydancers, we do a lot of jobs that for some other performers would be spread out amongst a team. We are our own stylists and sometimes our own costume makers, wardrobe masters, dressers, our own hair dressers and makeup artists, our own web designers, copy writers, publicists, agents and negotiators, our own choreographers (loosely speaking ^_~), artistic directors, sound editors, prop masters, producers, and stage managers. Each of these jobs in a theatre production would have their own kit to bring with them to each show, the tools they need to ensure the show runs smoothly. Luckily, we don't have to haul all of those kits with us everywhere we go! So what are the most important things to have with you at a gig?

Some dancers I know take a single shoulder bag containing just their wallet, skirt, belt, veil, and cymbals with their costume bra already on. I am on the other end of the spectrum, having been both a wardrobe head and stage manager for theatrical productions I tend to be the one that can rescue fellow performers backstage if needed. More often, I can rescue myself!

For the TL;DR crowd, there's a list at the bottom ^_~

Cover Ups: Why, What, and How

12/10/2016

If you haven't already, I suggest reading Ashiya and Naajidah's piece "where have all the cover ups gone?" For a good summary of why you should own and wear one. For the TL;DR crowd: a cover up is your combination backstage curtain and apron. It keeps your costume safer from kitchen (read backstage ^_~) spills and splashes and preserves the magic and awe of your vestments for the moment you take the stage. If you've already performed and are in the audience after, it helps you blend a bit and avoid stealing the spotlight from the next performers.

In this article, well look at what makes a good cover up, and your options for getting your hands on one.

Costuming for a Troupe

12/4/2016

This post is less about what makes a professional, beginner, or advancing amature quality costume, and more about the options for unifying a group in different ways.

First, you have to decide how unified you want your dancers to be, and then by what means you will unify them. The level of unity and polish your costuming will need depends on the level of performance you're intending to present. Think about the level of investment your dancers are prepared to make, in time or money, and about the skill level of the troupe. In addition to the styles represented in the group, skill level, and performance/venue expectations you'll want to consider how the colors and costume styles will balance as the formations of the choreography shift. A quick list of things to ask yourself:

Tips For Your First Workshop

6/27/2016

Congratulations on signing up for your first workshop! Workshops are different from regular classes for a few reasons: there will likely be more people than your regular class, the lesson will last longer, the information will probably be more concentrated, and there's a different teacher- which means different expectations. Here are some tips to prevent you from being "that girl".

Tribal Fusion Style

3/29/2016

Tribal Fusion comes from ATS. As we know, ATS came from Am Cab ("as unromantic as it sounds to tribal bellydance historians, these dancers who hit the Ren Faires by day simply changed costumes and danced the night away at the restaurants. They were cabaret dancers in Ren Faire drag, if you will."-Shay Moore). From the original FatChance BellyDance troupe came Jill Parker, who created Ultra Gypsy and the start of tribal fusion.

Turkish Style

3/26/2016

Bellydance in Turkey: although it had long been a family folk dance in the Arab world, when the Ottoman empire expanded into Egypt and the Levant in the early 1500's entertainers like the Awalim were brought back to Turkey. (The harem-girl story came from Turkish odalisques who were trained in entertaining, although the female dancers usually performed for other women.) This of course had always been a 2 way street, with many Arabic instruments being perfected in Turkey. After the fall of the Ottoman Empire Turkey was focused on making a good impression with Western Europe, and downplayed it's Middle Eastern culture, bellydance was not a super popular form of entertainment and dancers from the courts left to find work elsewhere, including the Egyptian theaters.

Vintage American Style

3/26/2016

Our next style goes by many names! Sometimes called "American Cabaret", or "Am Cab" for short, "Vintage American", "Vintage Oriental", "American Restaurant", "Vintage Restaurant", "classic American".... you get the idea. Each dancer usually has her preferred term but be aware that the term "cabaret" does NOT have a family friendly connotation outside the USA. So when speaking to someone from the Middle East, or Europe, it's better to pick one of the other terms.

American Tribal Style and ITS

3/26/2016

The next chronological step in our styles journey, American Tribal Style!

Modern American Style

3/26/2016

We talked about the vintage American style a few posts ago and what made it look the way it did (does ^_~), but a lot of those situations don't exist anymore.

Lebanese Style

3/25/2016

Again, the best way to get a handle on what is different between each style vs what is just different between individual dancers is to watch a collection of dancers in the same style, then another, then the first again, etc. This post is to give students enough of an orientation to Lebanese style to get the lay of the land. You can probably tell by how much shorter than the others it is, but there is more to the story which you're better off learning from sources more focused on this style.

Modern Egyptian

3/25/2016

This article will explain why I started this series of posts with Egyptian style, why many American bellydancers hold it as a standard (not that they should or shouldn’t, but it will help you understand how that happened) and what caused the changes from the vintage styling covered in the last couple posts to what's happening now. In addition to the social-political changes discussed there have been technical changes: the introduction of drum machines and synthesizers have profoundly changed the music. Additionally, because of those social changes modern Egyptian dancers don't have as much money to hire big orchestras, so bands have been scaled back and the percussion become more dominant (drummers are cheaper so you can still get a big sound for less cash). The dominance of the percussion, in my opinion, has a lot to do with a sort of stubborn insistence to stick around despite push from conservatives.

Farha's Favorite Dance Quotes

8/22/2015

In Defense of Not Cross-Training

6/5/2015

Let me start this post by saying that yes, cross-training does have lots of benefits. Personally, I include some pilates and weights after dance practice as strengthening drills. I am by no means against cross-training, but I don't think it's a necessity, and here is why.

Instruments of (mostly) Egyptian Music

5/23/2015

Finding Music to Practice to: a Guide for Beginners

5/12/2015

When you're looking for music to practice to, you have several options. First is to just turn on a bellydance playlist on youtube, turn off the screen, and dance along. The good news is this is free, the drawback here is that this only works if you have internet access on a device with decent speakers. CDs and MP3s are the most versatile. When you're just stating out in bellydance I recommend compilations, because they will help you find what you like. Keep in mind that your tastes might change over time, so don't rule out classical or folkloric right away ^_~. I'll try to link to a variety of sources in this article, so you have more options.

Introduction to the Arabic Alphabet: part three, the consonants

5/6/2015

Introduction to the Arabic Alphabet: part two, the vowels

5/5/2015

Introduction to the Arabic Alphabet: part one, intro to reading

5/5/2015

You might be thinking to yourself that you're never going to learn Arabic, so why learn the letters? Or maybe you want to learn the language but find the prospect of putting sounds into new shapes is too daunting. Knowing the basics is very helpful for bellydancers. First, it makes remembering song titles, dance styles, rhythm names, and names of famous composers and dancers MUCH easier when you can pronounce them. Second, you'll be able to make sense of why one word can be spelled so many different ways. It turns out that it's not arbitrary (well, usually. It depends on who is writing) there are simply a variety of solutions for transliterating sounds we don't have in English from Arabic.

Prepping a New Costume for Use

5/3/2015

New costumes are exciting, whether you make them yourself or buy them. Unfortunately you can almost never put a costume on right from the box: even when it has been custom made to your measurements there are some important steps to take before trying to perform in a new costume. This post should help you get a better fit, make your costumes more comfortable (sortta'), keep things in place when you're dancing, and help them last longer. We can't really cover major alterations too much here, those will depend too much on what your specific situation is, and might need a full-on sewing class, depending on your skill level and the situation of your costume. We CAN, however, cover the things you'll need to do to almost every new costume.

Folk Styles: Saidi

4/14/2015

Folk Styles:Tanoura

4/3/2015

Transitional Egyptian Style

4/2/2015

Technically, the dance is always in transition, but other than "later half of the golden era" this is the only name I've heard for this period of Egyptian dance. This is a time when the film industry in Egypt was now run by Egyptians, the Saudi Arabians were still patronizing the Cairo night clubs. This era would be the 1960s to the early 1990s

Vintage Egyptian Style

4/1/2015

Each post in this category I'll highlight certain clips from each style, but the best way to learn to tell which is which (and it will help you learn which music goes with which too) is to watch the playlists that were curated by the fabulous Shems a few times, as in: watch the Turkish one, then the Egyptian one, then the Turkish again, etc. In the beginning it will look like there's more variation between dancers than styles, but once you have something to compare each style to it will start to sort out.